%=============================================
%   created by MuseScore Version: 0.9.6
%   Then edit by Joshua Koo zz85nus @ gmail.com
%          Tuesday, 23 February, 2010
%=============================================

\version "2.12.0"



#(set-default-paper-size "a4")

#(ly:set-option 'point-and-click #f)

\paper {
  line-width    = 190\mm
  left-margin   = 8\mm
  top-margin    = 8\mm
  bottom-margin = 8\mm
  %%indent = 0 \mm 
  %%set to ##t if your score is less than one page: 
  ragged-last-bottom = ##t 
  ragged-bottom = ##f  
  %% in orchestral scores you probably want the two bold slashes 
  %% separating the systems: so uncomment the following line: 
  %% system-separator-markup = \slashSeparator 
  }

\header {
title = "Huh?"
subtitle = "That is the title"
composer = "Joshua Koo"
tagline ="Copylefted 2010 Joshua Koo Publishing. Permission to use without permission"
}

PianoTreble = \relative c'{
    \set Staff.instrumentName = #""
    \set Staff.shortInstrumentName = #""
    \clef treble
    %staffkeysig
    \key des \major 
    %barkeysig: 
    \key des \major 
    %bartimesig: 
    \time 4/4 
    \partial 4
    \tempo "Adagietto" 4 = 66  \times 2/3{bes'8\mp( c des  }      | % 1
    f2 ees4. f8      | % 2
    c2. \times 2/3{bes8 c des  }      | % 3
    f2 ees4. des8      | % 4
    c2.) \times 2/3{des8( ees f  }      | % 5
    bes2\mf aes4. ges8      | % 6
    f4 \> ees des2)      | % 7
    ees4.( \! des8 c4. ges8      | % 8
    f8. ees'16 f2.)      | % 9 
    
    %4 = 110
    \tempo "Animato Stringendo" 4 = 110  f4. \f ees16 f f4. ees16 f      | % 10
    f4. ges16 aes aes4 bes      | % 11
    ees,4. des8 c4. ges8 
    |      % 12
   
   
    f4 f'2. \bar "||"      | % 13
      \break 
       \partial 4*4
    ges4. f16 ges ges4. f16 ges      | % 14
    ges4. aes16 bes bes4 aes      | % 15
    ees aes ges f      | % 16
    g a bes4. c16 bes      | % 17
    \break
    bes4. c16 des bes4. \times 2/3{c16 des c  }      | % 18
    bes4. c16 des ees4. des16 c      | % 19
    ees4. des16 c f4 c 
         | % 20
    bes4 a2.      | % 21
    \bar "||" \break
    %4 = 66
    \tempo "A Tempo" 4 = 66   \grace{\stemUp bes,8  } \stemNeutral f'2\mp ees4. f8      | % 22
    c2. \times 2/3 { bes8 c des }      | % 23
    <f f'>2\mf <ees ees'>4. <des des'>8      | % 24
    <c c'>2. \breathe \arpeggioNormal <des ges bes>4\arpeggio \fermata\f      | % 25
    \arpeggioNormal <c aes'>4. 
    \arpeggio  <ees ges>8 \arpeggioNormal <a, c f>4.\arpeggio  <f c'>8      | % 26
    \grace{\stemUp <f ees'>4( \arpeggioNormal  } <f bes des>2) \arpeggioNormal <ges bes ees>2\arpeggio      | % 27
     <a c f>2\arpeggio (  g'4 a     | % 28
    \grace{\stemUp c8 \arpeggioNormal  } \stemNeutral  <d, f bes>1\arpeggio\fermata )
     \bar "|." 
}% end of last bar in partorvoice

goup = {\change Staff=PianoUp \stemDown }
godown = { \change Staff=PianoDown \stemNeutral }


PianoBass = \relative c{
    \set Staff.instrumentName = #""
    \set Staff.shortInstrumentName = #""
    \clef bass
    
    \set followVoice = ##t 
    %%\set style = #'dotted-line
    %staffkeysig
    \key des \major 
    %barkeysig: 
    \key des \major 
    %bartimesig: 
    \time 4/4 
    \partial 4
    r4       | % 1
    bes' <des f> g, <bes ees>      | % 2
    a <c f>2 r4      | % 3
    bes, <bes' des f> ees, <g bes ees>      | % 4
    f <a c f>2 r4      | % 5 
    
    des  \goup <ges bes> \godown c, \goup <ees aes> \godown     | % 6
    des ees f2      | % 7
    ees4 \goup <ges a> \godown c, <ees ges>      | % 8
    a, <c f>2.      | % 9
    bes4 <des f> a <des f>      | % 10
    aes <des f> g, <bes ees>      | % 11
    ges <bes ees> a <c ees> 
         | % 12
    
         f,4 <c' f>2.  \bar "||"     | % 13
         \partial 4*4
         
        
    ees4  \goup <ges bes> des <ges bes>      | % 14
    \godown
    c, <ees ges> aes, <ees' ges>      | % 15
    r c <ees ges> r      | % 16
    f, <a c> bes <des f>      | % 17
    a <des f> aes <des f>      | % 18
    g, <bes ees> ges <bes ees>      | % 19
    a <c ees ges> f, <a c f>~ 
       | % 20
    <a c f>1        | % 21
    
    bes4 <des f> r <bes ees g>      | % 22
    a <c f a>2 r4      | % 23
    bes, <bes' des f> g <bes ees g>      | % 24
    
    \set followVoice = ##f
    f <a f'>8  \goup <c a'> <f c'> <a f'> \breathe \set followVoice = ##t \godown  \arpeggioNormal <bes, des ges>4\arpeggio       | % 25
    <<  \voiceOne \stemDown <c aes'>2\arpeggio ^\markup { \bold \italic "Poco ritardando..." }
    	\new Voice {   \voiceTwo  \stemUp ges'4(  f)  }
>>\oneVoice

 << \voiceOne  <a, c f>2\arpeggio \new Voice { \voiceTwo
    a4( f))}>> \oneVoice | % 26
    bes4( aes)
    << \voiceOne  <ges bes ees>2 \arpeggio  \new Voice { \voiceTwo
    ges4 ( ees)}>> \oneVoice     | % 27
     <a c f>1\arpeggio    | % 28
    bes,8 \arpeggioNormal d f bes d f bes4\fermata \bar "|." 
}% end of last bar in partorvoice


\score { 
	
	
	
    << 
        \context PianoStaff <<
        \set PianoStaff.instrumentName="Piano" 
            \context Staff = PianoUp << 
                \context Voice = PianoTreble \PianoTreble
                \set Staff.instrumentName = #""
                \set Staff.shortInstrumentName = #""
                \set PianoStaff.midiInstrument = #"acoustic grand"
            >>


            \context Staff = PianoDown << 
                \context Voice = PianoBass \PianoBass
                \set Staff.instrumentName = #""
                \set Staff.shortInstrumentName = #""
                \set PianoStaff.midiInstrument = #"acoustic grand"
            >>


        >> %end of PianoStaffA


      \set Score.skipBars = ##t
      %%\set Score.melismaBusyProperties = #'()
      %\override Score.BarNumber #'break-visibility = #end-of-line-invisible %%every bar is numbered.!!!
      %% remove previous line to get barnumbers only at beginning of system.
       #(set-accidental-style 'modern-cautionary)
      \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
       \override Score.TimeSignature #'style = #'() %%makes timesigs always numerical
      %% remove previous line to get cut-time/alla breve or common time 
      \set Score.pedalSustainStyle = #'mixed 
       %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
       \override Score.TrillSpanner #'(bound-details right padding) = #-2
      \override Score.TextSpanner #'(bound-details right padding) = #-1
      %% Lilypond's normal textspanners are too weak:  
      \override Score.TextSpanner #'dash-period = #1
      \override Score.TextSpanner #'dash-fraction = #0.5
      %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (olagunde@start.no):
      \override Score.ChordName #'font-family = #'roman 
      \override Score.ChordName #'font-size =#0 
      %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
      \set Score.majorSevenSymbol = \markup {maj7}
  >>

  %% Boosey and Hawkes, and Peters, have barlines spanning all staff-groups in a score,
  %% Eulenburg and Philharmonia, like Lilypond, have no barlines between staffgroups.
  %% If you want the Eulenburg/Lilypond style, comment out the following line:
  \layout {\context {\Score \consists Span_bar_engraver}}
  
  \midi {
	}
	
}%% end of score-block 

#(set-global-staff-size 18.5)